The process images document the work as it evolves — unfinished, exposed, and in flux. For the artist, process is not a preliminary stage but a reality in its own right.

 

Raw materials are treated as works of art: piles of cut and painted fabric, accidental sculptural forms created by delicate textures, and the quiet poetry of tools in use. Scissors, recycled cotton, and fragments of old paper are valued not for what they will become, but for what they already are.

 

These moments reveal making as an act of attention, where fragility, chance, and material presence hold equal weight to the finished work.